Artist Profile

Fenbi aka Lx Electric aka Liam Mercer (they/them) is a multi-disciplinary artist, performer, activist and therapist. They served as stage manager, lighting designer, writer and collective member of the ‘Sex Worker’s Opera’ company, and previously worked as a lighting and audio technician at the legendary Royal Vauxhall Tavern.
Their anthropomorphic cartoons were created mostly in ink and watercolour pens, displaying Fenbi’s playful sense of humour.
Works such as Clever Fox, Pouncing Rabbit and Lion, recall the imaginative qualities of our inner world which in childhood we may proudly and instinctively explore, without putting names on them.
In their abstract work Fenbi often explores their mental landscape, drawing on their experiences as a hard of hearing, neuro-diverse queer and trans person with a history of trauma and anxiety.
Fenbi’s work often includes the addition of tactile materials such as netting, wooden sticks, chord string and paint.
Several of Fenbi’s works include symbols from life’s journey: self-acceptance; understanding of the world and relationships; moments of confidence in our identity and our uniqueness; connection and trust; and the courage to spread our wings.
Fenbi’s paintings include representation of The Royal Vauxhall Tavern (RVT), a London venue built in 1865 which has been known as an LGBTQ+ cabaret venue since the 1980s.
Venues like the RVT play a vital role in community, providing a safe space for individuals to embrace their identity, develop their artistry and connect with co-creators.
London’s queerlesque scene is an important node in a global community of artists weaving audio description into the fabric of their art. They embrace and name diverse subjects, and treat accessibility as an art form in its own right. Leading UK practitioners pushing the boundaries of creative audio description techniques include Nathan Geering, Quiplash, Maria Oshody and Blind Burners’ own Ebony Rose Dark and Fenbi.
You can find more about Fenbi on their website – fenbipresents.com
Too Much Noise
A circle in the centre of this colourful mixed media abstract represents the inner ear. A background of clashing paint layers and 3D visual representations of sound waves create a garish, overwhelming textural experience expressing the sensation of auditory sensory overload. Materials include netting, wooden sticks, cord string and paint.